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Shape Chinasources cited

Shukou bowl

shùkǒu zhǎn

Traditional 束口盞

A Jian tea bowl form with a band drawn in just below the rim, one of the four classic jianzhan mouth forms. One Southern Song bowl described by a collector is conical (斗笠, 'bamboo hat') in profile, 6.7 cm high and 12.2 cm across on a 3.7 cm ring foot with a shallow cut base.

On this page
Shukou zhan (conical tea bowl), side view
Shukou zhan (conical tea bowl), side view
  1. 1Rim
  2. 2Body
  3. 3Base
Side view of a conical tea bowl with a band just below the rim, dark streaked glaze and a small unglazed foot.Reference height · 6.5 cm · 國立故宮博物院 · 建窯 醬釉兔毫茶盞 · 77109. Height follows the cited example. Other proportions are schematic.

Form#

Rim
The defining feature is a constriction just below the rim. Describe the visible profile separately from proposed functions: interpreting it as a fill marker or a device to restrain foam requires evidence beyond the shape itself.
Body
2deep conical belly (深腹) with thick, iron-rich stoneware walls that thicken toward the lower waist and arrest the downward flow of viscous black glaze in a heavy welt above the bare lower wall
Base
3small, shallowly carved unglazed iron-colored ring foot (淺圈足 / 鐵足)
Spout
none
Handle
none

234 Numbers mark the parts described under Form.

Compare an object photograph · 國立故宮博物院 · 建窯 醬釉兔毫茶盞 · 77109

Working volume#

Distinguish a bowl’s brim volume from the smaller quantity used to prepare and drink tea. Interior profile, wall thickness and the chosen preparation method all matter. The measurements of a named museum bowl describe that object, not a standard capacity for the whole family.

Variants and sub-types#

Compare the constricted shukou rim with the flared piekou (撇口), open conical changkou (敞口) and incurved liankou (斂口) profiles. These terms describe the mouth and upper wall, not a fixed capacity or a proven distinction between court, monastic and domestic use.

History#

  1. mid Northern Song–Southern Song (11th–13th c.)Becomes the dominant form at the Shuiji kilns (水吉窯) in Jianyang and the standard silhouette for court tribute bowls incised on the foot with 「供御」 ("for imperial use") or 「進盞」.24
  2. 12th–14th c.Adopted across Fujian, Jiangxi (Jizhou), and northern kilns, and exported to Japan where the constricted-mouth Jian bowl defines the archetype of the tenmoku (天目形) tea bowl.23

Attributions are shown as the source states them.

Sources#

  1. 被两宋皇族、文人雅士追逐的稀罕茶器——鹧鸪斑建盏 (陈香龙, 2017-11-02)Sohu (搜狐号 self-media) · Journalism and features · Accessed 2026-11-02 ↗
  2. 东西问丨羊泽林:小小建盏何以在宋代就“出圈”海外? (2023-02-28)China News Service (中国新闻网) · Journalism and features · Accessed 2026-11-02 ↗
  3. The Met — Tea bowl, 11th–12th century, 79.2.1358The Metropolitan Museum of Art · Reference works · Accessed 2026-11-02 ↗
  4. 走进国博,探索一盏一世界 (2024-07-01)Sina News, from 东南网 / Fujian Daily · Journalism and features · Accessed 2026-11-02 ↗
Status and editorial notes sources cited

Sources are listed below. Their presence does not certify every claim; source-specific interpretations and unresolved questions are identified in the text. This page has not received independent expert approval.