chafyiTeaware
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Shape Chinasources cited

Lobed pot

línghuā hú

Traditional 菱花壺

Follow one groove up the body to the lid. Does the division continue, or does the lid flatten above it? That relationship is the useful first question for a lobed pot. The repeated swelling and narrowing of the wall matter more than counting petals from one side view.

On this page
Lobed pot teapot, side view
Lobed pot teapot, side view
  1. 1Knob
  2. 2Lid
  3. 3Spout
  4. 4Handle
  5. 5Body
  6. 6Base
Side view of a lobed teapot with ridges dividing the body.Approximate size

Look, then compare

At card size, look for repeated lobes and the divided lid outline. In a larger view, compare the lid divisions with the mouth beneath. 《荊溪朱泥》 no. 86 has a comparatively flat lobed cover; no. 87 carries the divisions up a domed cover. The flat example is a counterexample to a rule that every Linghua must have a fluted dome. Their names describe related treatments, not identical construction.

No. 86 is catalogued at 7 cm high and 12.5 cm wide; no. 87 at 7.8 cm high and 11.2 cm wide. Multiple views show the lids and bases of these same two pots; they are not extra specimens. A closed side view cannot prove how many positions a lid fits. The drawing shows one domed variant at approximate scale.

黃健亮、黃怡嘉《荊溪朱泥》, nos. 86–87, pp. 130–131 / PDF 132–133.

Form#

The numbered parts describe the illustrated variant. Compare the examples above before treating any one detail as a rule for the whole family.

Knob
1ribbed water-caltrop flower bud knob (菱花鈕) or round bead resting on a multi-petalled calyx (花蒂鈕)
Lid
2A lobed lid fitted to the matching mouth. Repeated lobes may allow seating at corresponding indexed positions (通轉), not at every arbitrary angle; fit depends on the individual pot.
Spout
3curved spout fluted with longitudinal ribs (筋紋彎流) continuing the petal divisions of the body
Handle
4ear-shaped loop handle scored with longitudinal ribs (筋紋耳把)
Body
5Repeated lobes divided by vertical grooves; their number and depth vary between examples.
Base
6foliate ring foot (菱花圈足) or slightly hollowed lobed base echoing the belly ribs

3456 Numbers mark the parts described under Form.

Lift a lobed lid to see the part normally hidden inside the mouth. Xu Sihai’s Hemei pot (合梅壶) is photographed with its lid seated and turned outward. The projecting inner flange follows the lobes of the opening. (许四海《吾壶四海》 (2009) · 合梅壶 · p. 34–35 (PDF 60–61))

Working volume#

Use the volume to the intended fill level, rather than the exterior dimensions or shape name. Leave room for the leaves and lid, and choose cups or a serving pitcher that can receive a complete infusion. Two pots of the same named form may have very different working capacities.

Variants and sub-types#

Name中文DifferenceSources
Baoyuan Linghua (Round Water-caltrop)宝圆菱花 / 合菱壶A lobed lid fitted to the matching mouth. Repeated lobes may allow seating at corresponding indexed positions (通轉), not at every arbitrary angle; fit depends on the individual pot.1245
Linghua Xianyuan ( Cord-shouldered Lobed Pot)菱花线圆壶Hybrid form pairing a smooth upper shoulder and raised equatorial cord rib (云肩线) with a fluted water-caltrop lower belly and petal-moulded lid (Gu Jingzhou / 20th-century Yixing canon).34

Xu Hantang’s photographed 菱花提梁壶 combines an elongated lobed body with an overhead handle. In his account, the elongated plan and the addition of the handle were decisions he made for this piece.pp. 35–36 · PDF 44–45

Compare two floral pots by following a groove up the body to the lid. The Asian Art Museum’s narcissus pot (B65P27) evokes six petals. Bartholomew counts sixteen divisions on the Nelson-Atkins fluted pot (58-13 A,B), catalogued in Chinese as 菊瓣壺, a chrysanthemum-petal pot. Their individual flower names distinguish them within the broader family of lobed forms.No. 12–13 · pp. 35–37 · PDF 37–39B65P2758-13 A,B

The Nelson-Atkins record gives Ming in its date field and Qing in its Chinese title. A precise date remains unresolved here.58-13 A,B

History#

  1. Ming, Jiajing to Wanli (1597)Zhou Gaoqi says Dong Han (董翰), one of the four Wanli-era masters, was the first to make the 菱花 (water-caltrop blossom) sinew-ribbed form (始造菱花式,已極工巧). The Flagstaff House K.S. Lo Collection preserves a six-lobed narcissus pot attributed to Shi Peng (時朋, Cat. 2, H 9.0 × W 10.5 cm), a six-lobed magnolia blossom pot incised 「萬曆丁酉年時大彬製」 (1597, Cat. 3 / C81.498, H 8.0 × W 12.1 cm), and an eight-lobed chrysanthemum pot by Li Maolin (李茂林, Cat. 6, H 9.6 × W 11.5 cm).157
  2. late Ming (Wanli to Chongzhen)Zhou lists 菱花 among the forms of Xu Youquan (徐友泉) and records that in the Chongzhen era Shen Zice (沈子澈) made a lobed Linghua pot for the connoisseur 華師道 (Hua Shidao), inscribing it with a four-line verse on spring water and tea.17
  3. Qing, Qianlong reignJingxi Zhuni catalogues no. 86 as a white-clay Linghua bearing the name 茂通. Its photographs show the lobed mouth and matching lid separately. The book gives a height of 7 cm and a width of 12.5 cm.86 · 130 · PDF 132
  4. 20th centuryWang Yinchun (王寅春) and Gu Jingzhou (顧景舟) codify modern precision-template sinew-ribbed (筋紋器) construction in forms such as Linghua Xianyuan (菱花線圓壺) and Baoling (寶菱壺).34

Attributions are shown as the source states them.

Sources#

  1. 周高起《陽羨茗壺系》 (Ming, 1640s), Wikisource editionWikisource (public-domain text; revision oldid 2613092) · Primary texts · Accessed 2026-11-02 ↗
  2. 周高起《阳羡茗壶系》(c. 1640), web transcriptionSimpleLits (public-domain text) · Reference works · Accessed 2026-11-02 ↗
  3. Gu JingzhouWikipedia · Reference works · Accessed 2026-11-02 ↗
  4. 顾见心舟-品茶啜茗当清风 (观复博物馆, 2025-03-08)Tencent News, Guanfu Museum official account · Journalism and features · Accessed 2026-11-02 ↗
  5. The Art of the Yixing Potter: The K.S. Lo Collection, Flagstaff House Museum of Tea Ware (茶具文物館羅桂祥珍藏宜興紫砂陶器, 1990)Urban Council, Hong Kong / Flagstaff House Museum of Tea Ware (ISBN 962-215-096-9) · Museum catalogues and books
  6. 黃健亮、黃怡嘉《荊溪朱泥:明清宜興朱泥壺研究》 / Jingxi Zhuni: The Study of Yixing Zhuni Teapots During the Ming and Qing Dynasties盈記唐人工藝出版社, Taipei (ISBN 978-957-0499-19-3, 299 pp.) · Museum catalogues and books
  7. Terese Tse Bartholomew, I-Hsing Ware (1977)China House Gallery / China Institute in America, New York (LoC 77-15141, 120 pp., with complete translation of Zhou Gaoqi's 陽羨茗壺系) · Museum catalogues and books
  8. 贺云翱主编:《紫砂大师访谈录》文物出版社 · 2008 · ISBN 978-7-5010-2324-0
  9. Narcissus flower teapotAsian Art Museum · B65P27
  10. Teapot with Fluted Sides and LidNelson-Atkins Museum of Art · 58-13 A,B
Status and editorial notes sources cited

Sources are listed below. Their presence does not certify every claim; source-specific interpretations and unresolved questions are identified in the text. This page has not received independent expert approval.

2026-11-05: revised after the homepage evidence audit. Historical attributions, model dimensions and practical guidance are distinguished; unresolved claims remain qualified. Earlier editorial conclusions are superseded by the current text.