Lobed pot
Traditional 菱花壺
Follow one groove up the body to the lid. Does the division continue, or does the lid flatten above it? That relationship is the useful first question for a lobed pot. The repeated swelling and narrowing of the wall matter more than counting petals from one side view.
On this page
- 1Knob
- 2Lid
- 3Spout
- 4Handle
- 5Body
- 6Base
Look, then compare
At card size, look for repeated lobes and the divided lid outline. In a larger view, compare the lid divisions with the mouth beneath. 《荊溪朱泥》 no. 86 has a comparatively flat lobed cover; no. 87 carries the divisions up a domed cover. The flat example is a counterexample to a rule that every Linghua must have a fluted dome. Their names describe related treatments, not identical construction.
No. 86 is catalogued at 7 cm high and 12.5 cm wide; no. 87 at 7.8 cm high and 11.2 cm wide. Multiple views show the lids and bases of these same two pots; they are not extra specimens. A closed side view cannot prove how many positions a lid fits. The drawing shows one domed variant at approximate scale.
黃健亮、黃怡嘉《荊溪朱泥》, nos. 86–87, pp. 130–131 / PDF 132–133.
Form#
The numbered parts describe the illustrated variant. Compare the examples above before treating any one detail as a rule for the whole family.
- Knob
- 1ribbed water-caltrop flower bud knob (菱花鈕) or round bead resting on a multi-petalled calyx (花蒂鈕)
- Lid
- 2A lobed lid fitted to the matching mouth. Repeated lobes may allow seating at corresponding indexed positions (通轉), not at every arbitrary angle; fit depends on the individual pot.
- Spout
- 3curved spout fluted with longitudinal ribs (筋紋彎流) continuing the petal divisions of the body
- Handle
- 4ear-shaped loop handle scored with longitudinal ribs (筋紋耳把)
- Body
- 5Repeated lobes divided by vertical grooves; their number and depth vary between examples.
- Base
- 6foliate ring foot (菱花圈足) or slightly hollowed lobed base echoing the belly ribs
3456 Numbers mark the parts described under Form.
Lift a lobed lid to see the part normally hidden inside the mouth. Xu Sihai’s Hemei pot (合梅壶) is photographed with its lid seated and turned outward. The projecting inner flange follows the lobes of the opening. (许四海《吾壶四海》 (2009) · 合梅壶 · p. 34–35 (PDF 60–61))
Working volume#
Use the volume to the intended fill level, rather than the exterior dimensions or shape name. Leave room for the leaves and lid, and choose cups or a serving pitcher that can receive a complete infusion. Two pots of the same named form may have very different working capacities.
Variants and sub-types#
| Name | 中文 | Difference | Sources |
|---|---|---|---|
| Baoyuan Linghua (Round Water-caltrop) | 宝圆菱花 / 合菱壶 | A lobed lid fitted to the matching mouth. Repeated lobes may allow seating at corresponding indexed positions (通轉), not at every arbitrary angle; fit depends on the individual pot. | 1245 |
| Linghua Xianyuan ( Cord-shouldered Lobed Pot) | 菱花线圆壶 | Hybrid form pairing a smooth upper shoulder and raised equatorial cord rib (云肩线) with a fluted water-caltrop lower belly and petal-moulded lid (Gu Jingzhou / 20th-century Yixing canon). | 34 |
Xu Hantang’s photographed 菱花提梁壶 combines an elongated lobed body with an overhead handle. In his account, the elongated plan and the addition of the handle were decisions he made for this piece.pp. 35–36 · PDF 44–45
Compare two floral pots by following a groove up the body to the lid. The Asian Art Museum’s narcissus pot (B65P27) evokes six petals. Bartholomew counts sixteen divisions on the Nelson-Atkins fluted pot (58-13 A,B), catalogued in Chinese as 菊瓣壺, a chrysanthemum-petal pot. Their individual flower names distinguish them within the broader family of lobed forms.No. 12–13 · pp. 35–37 · PDF 37–39B65P2758-13 A,B
The Nelson-Atkins record gives Ming in its date field and Qing in its Chinese title. A precise date remains unresolved here.58-13 A,B
History#
- Ming, Jiajing to Wanli (1597)Zhou Gaoqi says Dong Han (董翰), one of the four Wanli-era masters, was the first to make the 菱花 (water-caltrop blossom) sinew-ribbed form (始造菱花式,已極工巧). The Flagstaff House K.S. Lo Collection preserves a six-lobed narcissus pot attributed to Shi Peng (時朋, Cat. 2, H 9.0 × W 10.5 cm), a six-lobed magnolia blossom pot incised 「萬曆丁酉年時大彬製」 (1597, Cat. 3 / C81.498, H 8.0 × W 12.1 cm), and an eight-lobed chrysanthemum pot by Li Maolin (李茂林, Cat. 6, H 9.6 × W 11.5 cm).157
- late Ming (Wanli to Chongzhen)Zhou lists 菱花 among the forms of Xu Youquan (徐友泉) and records that in the Chongzhen era Shen Zice (沈子澈) made a lobed Linghua pot for the connoisseur 華師道 (Hua Shidao), inscribing it with a four-line verse on spring water and tea.17
- Qing, Qianlong reignJingxi Zhuni catalogues no. 86 as a white-clay Linghua bearing the name 茂通. Its photographs show the lobed mouth and matching lid separately. The book gives a height of 7 cm and a width of 12.5 cm.86 · 130 · PDF 132
- 20th centuryWang Yinchun (王寅春) and Gu Jingzhou (顧景舟) codify modern precision-template sinew-ribbed (筋紋器) construction in forms such as Linghua Xianyuan (菱花線圓壺) and Baoling (寶菱壺).34
Attributions are shown as the source states them.
Sources#
- 周高起《陽羨茗壺系》 (Ming, 1640s), Wikisource edition ↗
- 周高起《阳羡茗壶系》(c. 1640), web transcription ↗
- Gu Jingzhou ↗
- 顾见心舟-品茶啜茗当清风 (观复博物馆, 2025-03-08) ↗
- The Art of the Yixing Potter: The K.S. Lo Collection, Flagstaff House Museum of Tea Ware (茶具文物館羅桂祥珍藏宜興紫砂陶器, 1990)
- 黃健亮、黃怡嘉《荊溪朱泥:明清宜興朱泥壺研究》 / Jingxi Zhuni: The Study of Yixing Zhuni Teapots During the Ming and Qing Dynasties
- Terese Tse Bartholomew, I-Hsing Ware (1977)
- 贺云翱主编:《紫砂大师访谈录》
- Narcissus flower teapot
- Teapot with Fluted Sides and Lid
Status and editorial notes sources cited
Sources are listed below. Their presence does not certify every claim; source-specific interpretations and unresolved questions are identified in the text. This page has not received independent expert approval.
2026-11-05: revised after the homepage evidence audit. Historical attributions, model dimensions and practical guidance are distinguished; unresolved claims remain qualified. Earlier editorial conclusions are superseded by the current text.