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Yangtong

yángtǒng hú

Traditional 洋桶壺

A classic zisha teapot form created in the late Qing or early Republic. One version has a lid without a knob, shaped like an ox nose (牛盖).

On this page
Yangtong teapot, side view
Yangtong teapot, side view
  1. 1Knob
  2. 2Lid
  3. 3Spout
  4. 4Handle
  5. 5Body
  6. 6Base
A folded handle hangs from two shoulder lugs. Above it, a short neck supports a fitted lid with a recessed grip.Approximate size

Form#

Knob
1central bridge bar between twin recessed ox-nostril openings (牛鼻孔中樑) on the Niugai (牛蓋) version, or an arched loop / bead knob on standard flat lids (平蓋洋桶)
Lid
2lipped or inset cylindrical cap lid, either pierced with twin elliptical ox-nostril holes (牛蓋) or domed with a single central finial
Spout
3tall, upright one-bend or two-bend curved spout (一彎流 / 二彎流) rising from the lower belly nearly to the level of the mouth rim
Handle
4traditionally a pair of upright semi-circular clay lugs on the shoulder (雙耳) fitted with twin curved metal wire or rattan bail handles (雙線軟提梁), or an ear-shaped side loop handle on side-handled variants
Body
5tall, straight-walled cylindrical barrel body (直筒身, modeled after imported foreign metal or porcelain canisters, 洋桶) with a crisply stepped shoulder
Base
6recessed ring foot (圈足) or stepped flat base

1234 Numbers mark the parts described under Form.

Gu Yue illustrates a 牛盖洋桶壶 with a low lid and a slender bail above the cylindrical body. Yangtong names the pot form. Tiliang describes the overhead handle, a feature this pot shares with vessels of other shapes. Tiliang (2011, pp. 125)

Examples in the catalogues

Two cylindrical yangtong pots in the Sihai catalogue are both 14 cm high. One shows a movable handle resting against the body and the mark 春记 on lid and handle. Figures decorate the other. Its lid carries 宜兴上袁, while its base reads 利永公司出品, identifying a company. From the marks alone the individual potter remains unknown.

吾壶四海 (2009) · p. 80, 146

When a movable bail is attached to shoulder lugs, it can swing down beside the body for storage. The handle is still classed as an overhead handle by the position it takes when lifted.pp. 117–118

Working volume#

Use the volume to the intended fill level, rather than the exterior dimensions or shape name. Leave room for the leaves and lid, and choose cups or a serving pitcher that can receive a complete infusion. Two pots of the same named form may have very different working capacities.

Variants and sub-types#

Name中文DifferenceSources
Ox-lid Yangtong (Niugai Yangtong)牛盖洋桶壶Canonical early-Republic form perfected by Chu Ming (储铭, 1881–1937) and Gu Shaopei (顾绍培); combines a tall slab-beaten cylindrical barrel body (直筒身), twin shoulder lugs (双耳) for wire bail handles, a tall upright spout, and an inset lid pierced with twin ox-nostril openings bridged by a central bar.145
Flat-lid Knobbed Yangtong (Pinggai Yangtong)平盖独钮洋桶壶Late-Qing and early-Republic domestic variant fitted with a domed or flat inset cap lid crowned by a single spherical or bridge knob rather than twin ox-nostril openings.25
Polished Thai-export Yangtong外销暹罗抛光镶铜洋桶壶Red-clay (hongni / zhuni) cylindrical barrel teapot wheel-buffed to a mirror sheen after firing and mounted with sheet-brass rims and twin brass wire bails for the Thai market (K.S. Lo Cat. 146; Jingxi Zhuni Fig. 221).23

History#

  1. late Qing (Guangxu–Xuantong)Yixing potters adapt the silhouette of imported cylindrical canisters (洋桶, 'foreign barrel') into a tall slab-built teapot exported in quantity to Thailand (where many were wheel-polished and mounted in gilt metal, as in Flagstaff House K.S. Lo Cat. 146, H 10.0 × W 8.8 cm, and Jingxi Zhuni Plate 221 錦堂發記款, H 13.5 × W 10.8 cm) and used across Jiangnan tea houses.123
  2. early Republic (1910s–1930s)Master potter Chu Ming (儲銘, 1881–1937), celebrated in Yixing as the 'King of Yangtong' (「洋桶王」), perfects the proportions of the ox-nostril lid Niugai Yangtong (牛蓋洋桶壺) and in 1933 teaches the form to the nineteen-year-old Gu Jingzhou (顧景舟).15
  3. 1958At the Yixing Zisha Craft Factory, the straight-walled Niugai Yangtong serves as the foundational test piece for incoming apprentices: Gu Shaopei (顧紹培) recalls spending six days making a single Niugai Yangtong for his admission exam under Chen Fuyuan and Gu Jingzhou.4

Attributions are shown as the source states them.

Sources#

  1. 顾见心舟-品茶啜茗当清风 (观复博物馆, 2025-03-08)Tencent News, Guanfu Museum official account · Journalism and features · Accessed 2026-11-02 ↗
  2. The Art of the Yixing Potter: The K.S. Lo Collection, Flagstaff House Museum of Tea Ware (茶具文物館羅桂祥珍藏宜興紫砂陶器, 1990)Urban Council, Hong Kong / Flagstaff House Museum of Tea Ware (ISBN 962-215-096-9) · Museum catalogues and books
  3. 黃健亮、黃怡嘉《荊溪朱泥:明清宜興朱泥壺研究》 / Jingxi Zhuni: The Study of Yixing Zhuni Teapots During the Ming and Qing Dynasties盈記唐人工藝出版社, Taipei (ISBN 978-957-0499-19-3, 299 pp.) · Museum catalogues and books
  4. 贺云翱主编:《紫砂大师访谈录》文物出版社 · 2008 · ISBN 978-7-5010-2324-0
  5. 顧景舟主編《宜興紫砂珍賞》 / Appreciation of Yixing Zisha Ware (1992)三聯書店(香港) / Joint Publishing (HK) · Museum catalogues and books
  6. 古月编著:《紫砂壶图谱》湖南美术出版社 · 2011 · ISBN 978-7-5356-4241-7
  7. 吾壶四海 (2009)
  8. 刘行光、李志国:《紫砂》西南师范大学出版社 · 2017 · ISBN 978-7-5621-8276-4
Status and editorial notes sources cited

Sources are listed below. Their presence does not certify every claim; source-specific interpretations and unresolved questions are identified in the text. This page has not received independent expert approval.