chafyiTeaware
English

Clay Chinadraft

Benshan green clay

běnshān lǜní

Traditional 本山綠泥

Benshan lüni is the green clay of Yixing, named for the colour of the raw ore, not of the fired pot, which is pale to deep yellow.

On this page
Raw clay · Fired body
Raw clayFired body
Illustrative forms and colours. Identification requires a documented specimen. Fired colour

Understanding this material#

The Yingge Ceramics Museum says it occurs only in small amounts, is expensive and is unsuited to large pieces, so it is mostly used as a surface layer or mixed into purple and red clays; pots of pure green clay are rare. Its iron content is low, near 2 per cent, and the museum gives a shrinkage of 15 to 16 per cent.

What the name does not tell you#

A clay name is a description of material, not a certificate. It does not tell you which seam or mine the ore came from, when it was dug, how long it was aged, whether it was blended, how far the pot shrank in the kiln, or how it will change a particular tea. Because green clay is scarce and mostly used as a slip or an ingredient, the name on a pot does not tell you whether it is the whole body, a surface layer or part of a blend.

Fired colour#

Range
Pale yellow to yellow and deep yellow, sometimes yellow with a green cast2
Depends on
Firing and blend

Names in the trade#

Name中文NoteSources
Lüni, benshan lüni绿泥、本山绿泥The museum uses both names for the same clay.1
Benshan lüni本山绿泥Named in the national heritage record among zisha raw materials.3
Lüni as a duanni raw ore绿泥The 2017 duanni feature lists green clay among the raw-ore types grouped under duanni.2

Firing and shrinkage#

Firing temperatureShrinkageNoteSources
—15–16 %Museum figure for green clay.1

Composition#

ComponentValueMethodSampleSources
Fe2O3close to 2 wt%not statedmihuang clay and benshan lüni, as reported in a news feature2

Where the ore is said to come from#

  • Dingshu, Yixing: Huanglongshan. Small reserves according to the museum; Huanglongshan duanni is said to lie between the green-clay and purple-clay layers.2

A named mine is the source's statement, not a guarantee for any pot.

Known problems#

Rarely used pure1

The museum says few works are made from pure green clay; most use it as surface decoration or in blends.

What you can check Ask whether the stated clay is the body, a surface layer or one part of a mix.

Documented practices, described with sources. None of this is said about any named seller or any single pot.

Standards#

StandardClauseWhat it coversSources
GB/T 10816-2024 紫砂陶器recordRecommended national standard for zisha ware, issued 2024-12-31, in force 2025-07-01, replacing GB/T 10816-2008.4
GB/T 10816-2024 紫砂陶器1 (scope); forewordScope speaks of a fine-textured, iron-rich special clay and covers classification, technical requirements, inspection and labelling of products. The foreword says the 2008 lead and cadmium release requirements were removed from this edition. Read through a commercial English rendering of the front matter only; clauses 5 onward were not seen.5

Sources#

  1. 陶博館季刊 2018/1–3月:宜興紫砂(紫砂泥特色)新北市立鶯歌陶瓷博物館 · Reference works · Accessed 2026-11-02 ↗
  2. 紫砂泥料之什么是段泥人民政协网 · Journalism and features · Accessed 2026-11-02 ↗
  3. 陶器烧制技艺 — 宜兴紫砂陶制作技艺, 国家级非遗 351 / Ⅷ-1 (2006)中国非物质文化遗产网 · Government and heritage records · Accessed 2026-11-02 ↗
  4. GB/T 10816-2024 紫砂陶器 (Zisha ware), standard recordSAMR national standards information platform · Standards · Accessed 2026-11-02 ↗
  5. GB/T 10816-2024 English (scope and changes)Chinesestandard.net · Vendors · Accessed 2026-11-02 ↗
Status and editorial notes draft

Sources are listed below. Their presence does not certify every claim; source-specific interpretations and unresolved questions are identified in the text. This page has not received independent expert approval.

Exact supporting passages for the quantitative material claims and historical attributions still require checking against the cited publications.