Fair pitcher
Also written 茶盅 · 茶海 · 匀杯 · 勻杯
A pouring vessel that receives brewed tea before it is divided among cups. Handleless, rear-handled and side-handled versions offer different ways to hold and pour it.
On this page
- 1Body
- 2Base
In use#
In Wu Deliang’s illustrated lesson, the pot empties into a pale pitcher before the cups are filled. Collecting the infusion creates a separate serving stage after brewing.
- Empty the brewed tea from the pot into the pitcher.
- The pitcher now holds the infusion to be shared.
- Serve the cups from the pitcher.
吳德亮《台灣的茶園與茶館》 · PDF 36–37 · 圖2 / fig. 2 · PDF 38
Follow the name together with the action. Wu calls the serving pitcher 茶海. Li Bingyan and Lin Nan also use 茶海, 茶船 and 茶洗 for a washing basin. In their illustrated tray-and-basin arrangement, rinse water drains through the upper tray into the lower basin.
Form#
- Body
- 1cylindrical, flared, or waisted pitcher in porcelain, stoneware, or borosilicate glass with a pinched V-shaped pouring lip (鴨嘴流 / 三角流) at the rim
- Handle
- either handleless (gripped by the upper rim or a waisted neck, as in Japanese katakuchi-influenced 勻杯) or fitted with a C-shaped ear loop handle opposite the spout or a side handle
- Lid
- Open and lidded examples are documented. A removable strainer can rest on the rim.7
- Base
- 2flat recessed ring foot (圈足)
Working volume#
Choose working volume for the intended fill level and number of drinkers. Measure the individual vessel; a shape name or exterior dimensions do not establish usable capacity. Allow room for leaves and ensure the receiving cups or pitcher can hold the infusion.
Variants and sub-types#
| Name | 中文 | Difference | Sources |
|---|---|---|---|
| Handleless Fair Cup (Yunbei / Katakuchi Cha-hai) | 無把勻杯 / 片口茶海 | A pitcher without a handle, held at the body or neck. Shape, wall thickness and fill level affect handling; the grip area is not necessarily cool. | 235 |
| Rear-handle Fair Pitcher (Erba Cha-hai) | 耳把茶海 / 公道杯 | A loop handle opposite the spout. Handle placement describes the form; it does not by itself establish which tea it suits or how common it is today. | 145 |
| Side-handle Fair Pitcher (Ceba Cha-hai) | 側把茶海 | Taiwanese studio pitcher with a tubular side handle set at ~90° to the pouring lip, matching the ergonomics of a side-handle teapot. | 45 |
| Heat-resistant Glass Gongdaobei | 耐熱玻璃公道杯 | Blown borosilicate glass pitcher, prized in modern tea evaluation and gongfu service because it displays the exact clarity and colour of the tea liquor (湯色). | 14 |
History#
- Ming–Qing (namesake)Popular lore links the mainland name 公道杯 ('fair cup') to a porcelain wine cup with an internal siphon column (九龍公道杯) that drains completely if filled past a set line; the tea pitcher shares only the moral idea of equal shares, not the siphon mechanism.1
- late 1970s–1982 (Taiwan)Taiwanese tea-art (茶藝) pioneers — notably Cai Rongzhang (蔡榮章) at the Lu Yu Tea Art Center (陸羽茶藝中心, founded 1980), who popularized the term 茶盅 (cházhōng) or 茶海 (cháhǎi), and Zhou Yu (周渝) at Wistaria Tea House (紫藤廬), who called it 勻杯 (yúnbēi, 'even-dividing cup') — introduce a decanting pitcher to replace the traditional Chaozhou round-pouring technique (關公巡城). A February 1982 Taiwan Panorama report already documents the 茶盅 in 台北 tea-art houses.245
- 1984A second Taiwan Panorama report classifies standard tea-art utensils into four core vessels: pot (壺), cup (杯), pitcher (盅), and basin (池), noting that the pitcher prevents the leaves from over-steeping in the pot.3
- 1990s–presentAs Taiwanese tea-art practices spread across mainland China in the 1990s, the vessel becomes standard in gongfu tea sets under the name 公道杯 or 茶海, while Taiwanese studio potters also adapt handleless Japanese katakuchi (片口) sake pourers and sencha yuzamashi (water coolers).45
Attributions are shown as the source states them.
Open and lidded pitchers
Compare the two wood-fired pitchers by Xu Zhaoyu on the same plate. Both have a pouring lip and loop handle. The lighter one has a fitted lid with a ring knob, while the darker one is open.7
Sources#
- 什么是公道杯? (洪锦铉, 2021-01-22) ↗
- 禮失而求諸野——淺談中國茶藝 (1982-02) ↗
- 愈用愈美的「古董」——茶藝與茶壺 (1984-01) ↗
- 張靜紅:流動、聚合與區隔:台灣茶藝發展中的矛盾和動力 ↗
- 方柏欽:從實用陶瓷茶具檢視臺灣的文化融合現象 ↗
- 吳德亮《台灣的茶園與茶館》
- 吳德亮,《台灣茶器》 · 2012 · p. 169 (PDF 173).
- 李炳炎、林楠《潮州茶器(1860—2020)》
Status and editorial notes sources cited
Sources are listed below. Their presence does not certify every claim; source-specific interpretations and unresolved questions are identified in the text. This page has not received independent expert approval.
2026-11-05: revised after the homepage evidence audit. Historical attributions, model dimensions and practical guidance are distinguished; unresolved claims remain qualified. Earlier editorial conclusions are superseded by the current text.